A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 268
... formal design than they are to audi- ble design , we need not be surprised that pictures are almost always estimated for qualities which have nothing , or al- most nothing , to do with their formal design or their es- thetic quality in ...
... formal design than they are to audi- ble design , we need not be surprised that pictures are almost always estimated for qualities which have nothing , or al- most nothing , to do with their formal design or their es- thetic quality in ...
Pagina 279
... formal character of lines . But lines may also be representational . Such and such a combination of lines depicts such and such an object - a tree , a fish , a frog , the Virgin Mary . Does a line lose its formal value , the moment we ...
... formal character of lines . But lines may also be representational . Such and such a combination of lines depicts such and such an object - a tree , a fish , a frog , the Virgin Mary . Does a line lose its formal value , the moment we ...
Pagina 280
... formal value of the lines used . It is a product of the fusion , often as unexpected and as novel as a chemical reaction . I admit the miracle , but I plead the fact . It is no more remarkable than the extreme intensification of emotion ...
... formal value of the lines used . It is a product of the fusion , often as unexpected and as novel as a chemical reaction . I admit the miracle , but I plead the fact . It is no more remarkable than the extreme intensification of emotion ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words