A Modern Book of Esthetics: An Anthology |
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Risultati 1-3 di 33
Pagina 266
... i.e. , from the beginning the idea of a formal design or scheme is impressed on our minds , and anything which departed violently from that would be not merely meaningless , but an outrage to our sense of order and proportion .
... i.e. , from the beginning the idea of a formal design or scheme is impressed on our minds , and anything which departed violently from that would be not merely meaningless , but an outrage to our sense of order and proportion .
Pagina 279
Does a line lose its formal value , the moment we see that it represents a real object to us ? Just here is the fundament and base of the contention . From the fusion of the two aspects of a lineits purely formal value with its ...
Does a line lose its formal value , the moment we see that it represents a real object to us ? Just here is the fundament and base of the contention . From the fusion of the two aspects of a lineits purely formal value with its ...
Pagina 281
But it will be said ) if each of the lines which depict a given object has its particular formal value , the resulting emotion depends on the particular shape of the object and not on the artist . That is true , to a certain extent .
But it will be said ) if each of the lines which depict a given object has its particular formal value , the resulting emotion depends on the particular shape of the object and not on the artist . That is true , to a certain extent .
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole