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Pagina 268
When to this we add that people are far less sensitive to the meaning of visible
formal design than they are to audible design, we need not be surprised that
pictures are almost always estimated for qualities which have nothing, or almost ...
When to this we add that people are far less sensitive to the meaning of visible
formal design than they are to audible design, we need not be surprised that
pictures are almost always estimated for qualities which have nothing, or almost ...
Pagina 269
works in which formal design is the predominant consideration. This contrast
between the nature of inherited art and the mass of contemporary art has become
so marked that the word "classic" is often used (loosely and incorrectly, no doubt)
...
works in which formal design is the predominant consideration. This contrast
between the nature of inherited art and the mass of contemporary art has become
so marked that the word "classic" is often used (loosely and incorrectly, no doubt)
...
Pagina 280
its purely formal value with its representational quality— arises a new thing which
I call the esthetic or artistic emotion. This new thing, which may be surprisingly
intense and vivid, is not discoverable either in the represented object per se or in
...
its purely formal value with its representational quality— arises a new thing which
I call the esthetic or artistic emotion. This new thing, which may be surprisingly
intense and vivid, is not discoverable either in the represented object per se or in
...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words