A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina xviii
... function can never tell his troubles unless the effect is to create beauty . But according to Véron and Tolstoy , the artist does not necessarily exaggerate the positive values and omit or minimize the negative values . His purpose ...
... function can never tell his troubles unless the effect is to create beauty . But according to Véron and Tolstoy , the artist does not necessarily exaggerate the positive values and omit or minimize the negative values . His purpose ...
Pagina xx
... function is often to reveal a deeper harmony , he has another function scarcely less important : to shatter the hard shell of an outworn order in which the spirit turns emptily in a vacuum . Therefore he is sometimes the ac- cuser of ...
... function is often to reveal a deeper harmony , he has another function scarcely less important : to shatter the hard shell of an outworn order in which the spirit turns emptily in a vacuum . Therefore he is sometimes the ac- cuser of ...
Pagina 339
... function of compo- sition ; it serves to render our grasp of the presentation easier and to increase its intelligibility . It may even in itself con- stitute the principal esthetic feature of the object , as in linear complexes or ...
... function of compo- sition ; it serves to render our grasp of the presentation easier and to increase its intelligibility . It may even in itself con- stitute the principal esthetic feature of the object , as in linear complexes or ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words