A Modern Book of Esthetics: An Anthology |
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Pagina 140
An object cannot be beautiful if it can give pleasure to nobody : a beauty to which all men were forever indirferent is a contradiction in terms . In the second place , this value is positive , it is the sense of the presence of ...
An object cannot be beautiful if it can give pleasure to nobody : a beauty to which all men were forever indirferent is a contradiction in terms . In the second place , this value is positive , it is the sense of the presence of ...
Pagina 371
In fancy , or in superstition , we might mentally connect any objects whatever in the world , but that would not be knowledge ; and , on the other hand , we might , in a sensual enjoyment , give over our whole mind to anything which ...
In fancy , or in superstition , we might mentally connect any objects whatever in the world , but that would not be knowledge ; and , on the other hand , we might , in a sensual enjoyment , give over our whole mind to anything which ...
Pagina 375
... cannot be expected to have in later life other than practical interests and must lack that repose which gives the only complete ... that repose which a mere restless striving for practical ends ever promises but can never give .
... cannot be expected to have in later life other than practical interests and must lack that repose which gives the only complete ... that repose which a mere restless striving for practical ends ever promises but can never give .
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole