A Modern Book of Esthetics: An Anthology |
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Pagina 140
An object cannot be beautiful if it can give pleasure to nobody : a beauty to which all men were forever indifferent is a contradiction in terms . In the second place , this value is positive , it is the sense of the presence of ...
An object cannot be beautiful if it can give pleasure to nobody : a beauty to which all men were forever indifferent is a contradiction in terms . In the second place , this value is positive , it is the sense of the presence of ...
Pagina 371
In fancy , or in superstition , we might mentally connect any objects whatever in the world , but that would not be knowledge ; and , on the other hand , we might , in a sensual enjoyment , give over our whole mind to anything which ...
In fancy , or in superstition , we might mentally connect any objects whatever in the world , but that would not be knowledge ; and , on the other hand , we might , in a sensual enjoyment , give over our whole mind to anything which ...
Pagina 375
... cannot be expected to have in later life other than practical interests and must lack that repose which gives the only complete ... that repose which a mere restless striving for practical ends ever promises but can never give .
... cannot be expected to have in later life other than practical interests and must lack that repose which gives the only complete ... that repose which a mere restless striving for practical ends ever promises but can never give .
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word