A Modern Book of Esthetics: An Anthology |
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Pagina 44
The subject knows quite well , on the one hand , that the ideas and feeling occupying him are only make - believe , yet , on the other hand , he continues to act as if they were serious and real . It is this continued play of emotion ...
The subject knows quite well , on the one hand , that the ideas and feeling occupying him are only make - believe , yet , on the other hand , he continues to act as if they were serious and real . It is this continued play of emotion ...
Pagina 112
the various expedients to which the expressional impulse resorts in its endeavor to enhance and relieve an emotional state, the force of this craving for expression, on the other hand, nowhere appears with such convincing clearness as ...
the various expedients to which the expressional impulse resorts in its endeavor to enhance and relieve an emotional state, the force of this craving for expression, on the other hand, nowhere appears with such convincing clearness as ...
Pagina 356
On the other hand the eighteenth century, which possesses so little character, possesses style to the point of saturation. — La Deshumanizacion del Arte (1925) . CHAPTER X THEORIES OF ISOLATION AND EQUILIBRIUM CHAPTER X INTRODUCTORY 356 ...
On the other hand the eighteenth century, which possesses so little character, possesses style to the point of saturation. — La Deshumanizacion del Arte (1925) . CHAPTER X THEORIES OF ISOLATION AND EQUILIBRIUM CHAPTER X INTRODUCTORY 356 ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole