A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 190
... hand , a person is never ridiculous except through some mental attribute resembling absent- mindedness , through something that lives upon him with- out forming part of his organism , after the fashion of a parasite ; that is the reason ...
... hand , a person is never ridiculous except through some mental attribute resembling absent- mindedness , through something that lives upon him with- out forming part of his organism , after the fashion of a parasite ; that is the reason ...
Pagina 221
... hand in hand with sensi- bility , as in Shakespeare , Racine , and Goethe at their best . Some classicisms come late and are the fruit of long and painful effort . Then there is a restricted classicism and a generalized classicism . At ...
... hand in hand with sensi- bility , as in Shakespeare , Racine , and Goethe at their best . Some classicisms come late and are the fruit of long and painful effort . Then there is a restricted classicism and a generalized classicism . At ...
Pagina 459
... hand is not a hand except as an organ of the living body - except as a working coördinated part of a balanced system of ac- tivities - applies untritely to all things that are means . The connection of means - consequences is never one ...
... hand is not a hand except as an organ of the living body - except as a working coördinated part of a balanced system of ac- tivities - applies untritely to all things that are means . The connection of means - consequences is never one ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
12 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words