A Modern Book of Esthetics: An Anthology |
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Pagina 44
The subject knows quite well , on the one hand , that the ideas and feeling occupying him are only make - believe , yet , on the other hand , he continues to act as if they were serious and real . It is this continued play of emotion ...
The subject knows quite well , on the one hand , that the ideas and feeling occupying him are only make - believe , yet , on the other hand , he continues to act as if they were serious and real . It is this continued play of emotion ...
Pagina 112
the various expedients to which the expressional impulse resorts in its endeavor to enhance and relieve an emotional state, the force of this craving for expression, on the other hand, nowhere appears with such convincing clearness as ...
the various expedients to which the expressional impulse resorts in its endeavor to enhance and relieve an emotional state, the force of this craving for expression, on the other hand, nowhere appears with such convincing clearness as ...
Pagina 356
On the other hand the eighteenth century, which possesses so little character, possesses style to the point of saturation. — La Deshumanizacion del Arte (1925) . CHAPTER X THEORIES OF ISOLATION AND EQUILIBRIUM CHAPTER X INTRODUCTORY 356 ...
On the other hand the eighteenth century, which possesses so little character, possesses style to the point of saturation. — La Deshumanizacion del Arte (1925) . CHAPTER X THEORIES OF ISOLATION AND EQUILIBRIUM CHAPTER X INTRODUCTORY 356 ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole