A Modern Book of Esthetics: An Anthology |
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Pagina 44
The subject knows quite well , on the one hand , that the ideas and feeling occupying him are only make - believe , yet , on the other hand , he continues to act as if they were serious and real . It is this continued play of emotion ...
The subject knows quite well , on the one hand , that the ideas and feeling occupying him are only make - believe , yet , on the other hand , he continues to act as if they were serious and real . It is this continued play of emotion ...
Pagina 112
the various expedients to which the expressional impulse resorts in its endeavor to enhance and relieve an emotional state, the force of this craving for expression, on the other hand, nowhere appears with such convincing clearness as ...
the various expedients to which the expressional impulse resorts in its endeavor to enhance and relieve an emotional state, the force of this craving for expression, on the other hand, nowhere appears with such convincing clearness as ...
Pagina 356
On the other hand the eighteenth century, which possesses so little character, possesses style to the point of saturation. — La Deshumanizacion del Arte (1925) . CHAPTER X THEORIES OF ISOLATION AND EQUILIBRIUM CHAPTER X INTRODUCTORY 356 ...
On the other hand the eighteenth century, which possesses so little character, possesses style to the point of saturation. — La Deshumanizacion del Arte (1925) . CHAPTER X THEORIES OF ISOLATION AND EQUILIBRIUM CHAPTER X INTRODUCTORY 356 ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word