A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 152
It makes for their dignity, as for that of human happiness, that they should be
broadly based; and the glints of actual beauty seem all the more living and
miraculous when they peep at us from the works of man or of nature in places
where no ...
It makes for their dignity, as for that of human happiness, that they should be
broadly based; and the glints of actual beauty seem all the more living and
miraculous when they peep at us from the works of man or of nature in places
where no ...
Pagina 284
The extremist idea seems to be that so long as we recognize what the object is
intended for— a house, a tree, a human being— the formal values will fuse with
our general concept of house, tree, and human being, as though the whole ...
The extremist idea seems to be that so long as we recognize what the object is
intended for— a house, a tree, a human being— the formal values will fuse with
our general concept of house, tree, and human being, as though the whole ...
Pagina 353
mistakes of the traditional artist point toward the “ human object . ” They are
failures on the road towards it . . . . In the new picture the contrary happens : it is
not that the painter errs , nor that his deviations from the " natural " ( natural =
human ) ...
mistakes of the traditional artist point toward the “ human object . ” They are
failures on the road towards it . . . . In the new picture the contrary happens : it is
not that the painter errs , nor that his deviations from the " natural " ( natural =
human ) ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
Copyright | |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature necessary never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole