A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 284
... human being— the formal values will fuse with our general concept of house, tree, and human being, as though the whole process went on in a region of abstract thought instead of amid our immediate vision of particular objects every ...
... human being— the formal values will fuse with our general concept of house, tree, and human being, as though the whole process went on in a region of abstract thought instead of amid our immediate vision of particular objects every ...
Pagina 351
... human reality . The painter who witnesses contemplatively the scene of the agony seems to be " in- human . " Let us say , then , that the human point of view is that in which we " live " the situations , persons , or things . And vice ...
... human reality . The painter who witnesses contemplatively the scene of the agony seems to be " in- human . " Let us say , then , that the human point of view is that in which we " live " the situations , persons , or things . And vice ...
Pagina 353
... human ) fail to reach it . The fact is that they point to a road leading away from the " human " object in the opposite direction . The painter , far from trying , more or less clumsily , to move toward reality , seems to have evaded it ...
... human ) fail to reach it . The fact is that they point to a road leading away from the " human " object in the opposite direction . The painter , far from trying , more or less clumsily , to move toward reality , seems to have evaded it ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word