A Modern Book of Esthetics: An Anthology |
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Pagina 346
It is enough to possess human sensibility and to allow the anxieties and joys of
others to echo within one ' s self . One can understand then why the art of the
nineteenth century has been so popular : it was made for the undifferentiated
masses ...
It is enough to possess human sensibility and to allow the anxieties and joys of
others to echo within one ' s self . One can understand then why the art of the
nineteenth century has been so popular : it was made for the undifferentiated
masses ...
Pagina 351
Instead of “ lived ” reality we might call it human reality . The painter who
witnesses contemplatively the scene of the agony seems to be “ inhuman . " Let
us say , then , that the human point of view is that in which we “ live ” the
situations ...
Instead of “ lived ” reality we might call it human reality . The painter who
witnesses contemplatively the scene of the agony seems to be “ inhuman . " Let
us say , then , that the human point of view is that in which we “ live ” the
situations ...
Pagina 353
mistakes of the traditional artist point toward the “ human object . ” They are
failures on the road towards it . . . . In the new picture the contrary happens : it is
not that the painter errs , nor that his deviations from the " natural " ( natural =
human ) ...
mistakes of the traditional artist point toward the “ human object . ” They are
failures on the road towards it . . . . In the new picture the contrary happens : it is
not that the painter errs , nor that his deviations from the " natural " ( natural =
human ) ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature necessary never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Autore | Melvin Miller Rader |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | H. Holt, 1935 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |