A Modern Book of Esthetics: An Anthology |
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Pagina 284
The extremist idea seems to be that so long as we recognize what the object is intended for— a house, a tree, a human being— the formal values will fuse with our general concept of house, tree, and human being, as though the whole ...
The extremist idea seems to be that so long as we recognize what the object is intended for— a house, a tree, a human being— the formal values will fuse with our general concept of house, tree, and human being, as though the whole ...
Pagina 351
Instead of " lived " reality we might call it human reality . The painter who witnesses contemplatively the scene of the agony seems to be " in- human . " Let us say , then , that the human point of view is that in which we " live " the ...
Instead of " lived " reality we might call it human reality . The painter who witnesses contemplatively the scene of the agony seems to be " in- human . " Let us say , then , that the human point of view is that in which we " live " the ...
Pagina 353
mistakes of the traditional artist point toward the " human object . " They are failures on the road towards it . . . . In the new picture the contrary happens : it is not that the painter errs , nor that his deviations from the ...
mistakes of the traditional artist point toward the " human object . " They are failures on the road towards it . . . . In the new picture the contrary happens : it is not that the painter errs , nor that his deviations from the ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word