A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 138
... idea of things is composed exclusively of per- ceptual elements , of the ideas of form and of motion . The beauty of objects , however , forms an exception to this rule . Beauty is an emotional element , a pleasure of ours , which ...
... idea of things is composed exclusively of per- ceptual elements , of the ideas of form and of motion . The beauty of objects , however , forms an exception to this rule . Beauty is an emotional element , a pleasure of ours , which ...
Pagina 307
... idea started by the awareness of our own lifting or raising of our eyes , head or neck , and it is an idea containing the awareness of that lifting or raising . But it is far more than the idea merely of that lifting or raising which we ...
... idea started by the awareness of our own lifting or raising of our eyes , head or neck , and it is an idea containing the awareness of that lifting or raising . But it is far more than the idea merely of that lifting or raising which we ...
Pagina 377
... idea or image of it , and to dwell upon an idea means to carry it out incipiently . We may go even further , and say it is the carrying out by virtue of which we grasp the idea . How do we think of a tall pine - tree ? By sweeping our ...
... idea or image of it , and to dwell upon an idea means to carry it out incipiently . We may go even further , and say it is the carrying out by virtue of which we grasp the idea . How do we think of a tall pine - tree ? By sweeping our ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words