A Modern Book of Esthetics: An Anthology |
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Pagina 49
I have throughout this whole treatise spoken not of the idea but of the feeling of being a cause . A conscious idea that we ourselves produce the appearance is as little supposable during intense enjoyment as the idea , " This is only a ...
I have throughout this whole treatise spoken not of the idea but of the feeling of being a cause . A conscious idea that we ourselves produce the appearance is as little supposable during intense enjoyment as the idea , " This is only a ...
Pagina 243
In the one case , it occurs through the recurrence of the central meaning in new shapes ; in the other , through the realization of some single dominant idea , which extends over the entire work and is expressed once and once only .
In the one case , it occurs through the recurrence of the central meaning in new shapes ; in the other , through the realization of some single dominant idea , which extends over the entire work and is expressed once and once only .
Pagina 307
The rising of the mountain is an idea started by the awareness of our own lifting or raising of our eyes , head or neck , and it is an idea containing the awareness of that lifting or raising . But it is far more than the idea merely of ...
The rising of the mountain is an idea started by the awareness of our own lifting or raising of our eyes , head or neck , and it is an idea containing the awareness of that lifting or raising . But it is far more than the idea merely of ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word