A Modern Book of Esthetics: An Anthology |
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Pagina xiv
... though we should distinguish between the free expression of the artist and the
interpretative expression of the contemplator . 3 This then is the ideal of modern
art : to express values , not to imitate or passively respond . A perusal of this book
...
... though we should distinguish between the free expression of the artist and the
interpretative expression of the contemplator . 3 This then is the ideal of modern
art : to express values , not to imitate or passively respond . A perusal of this book
...
Pagina 46
the fulfillment of every ideal of love , friendship , joy , and freedom . But this
beautiful world , already threatened by Voltaire , vanished before the chill breath
of the destroyer of ideals - Kant . Schiller expressed his pain in the loss of the
ideal in ...
the fulfillment of every ideal of love , friendship , joy , and freedom . But this
beautiful world , already threatened by Voltaire , vanished before the chill breath
of the destroyer of ideals - Kant . Schiller expressed his pain in the loss of the
ideal in ...
Pagina 147
The Real is anything in experience which shows stubbornness and constancy ,
so that it will not down , although it may be an ideal presence like Duty , but
always confronts us , as a hard fact does , whichever way we may turn ; so that
we are ...
The Real is anything in experience which shows stubbornness and constancy ,
so that it will not down , although it may be an ideal presence like Duty , but
always confronts us , as a hard fact does , whichever way we may turn ; so that
we are ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature necessary never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole