A Modern Book of Esthetics: An Anthology |
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Pagina xiv
... values — though we should distinguish between the free expression of the artist and the interpretative expression of the contemplator . This then is the ideal of modern art : to express values , not to imitate or passively respond .
... values — though we should distinguish between the free expression of the artist and the interpretative expression of the contemplator . This then is the ideal of modern art : to express values , not to imitate or passively respond .
Pagina 46
the fulfillment of every ideal of love , friendship , joy , and freedom . But this beautiful world , already threatened by Voltaire , vanished before the chill breath of the destroyer of ideals – Kant . Schiller expressed his pain in ...
the fulfillment of every ideal of love , friendship , joy , and freedom . But this beautiful world , already threatened by Voltaire , vanished before the chill breath of the destroyer of ideals – Kant . Schiller expressed his pain in ...
Pagina 147
The Real is anything in experience which shows stubbornness and constancy , so that it will not down , although it may be an ideal presence like Duty , but always confronts us , as a hard fact does , whichever way we may turn ; so that ...
The Real is anything in experience which shows stubbornness and constancy , so that it will not down , although it may be an ideal presence like Duty , but always confronts us , as a hard fact does , whichever way we may turn ; so that ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole