A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina xiv
... ideal of modern art : to express values , not to imitate or passively respond . A perusal of this book will indicate , I think , that the writers included either espouse this ideal or approximate it . For example , the " play theory ...
... ideal of modern art : to express values , not to imitate or passively respond . A perusal of this book will indicate , I think , that the writers included either espouse this ideal or approximate it . For example , the " play theory ...
Pagina 46
... ideal is only a dream , a beautiful chimera , but need not , therefore , be lost to us , for we may still enjoy the ideal in play ; and with this conception , the poet rises to new flights which open the classic period of his creation ...
... ideal is only a dream , a beautiful chimera , but need not , therefore , be lost to us , for we may still enjoy the ideal in play ; and with this conception , the poet rises to new flights which open the classic period of his creation ...
Pagina 147
... ideal presence like Duty , but always confronts us , as a hard fact does , whichever way we may turn ; so that we are tempted to objectify the Real , that is , to believe that it has a substantial existence apart from our imagination ...
... ideal presence like Duty , but always confronts us , as a hard fact does , whichever way we may turn ; so that we are tempted to objectify the Real , that is , to believe that it has a substantial existence apart from our imagination ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word