A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 168
An Anthology Melvin Miller Rader. the spurious image , and of enriching in this way the con- cept of the image and of art . What function ( it is asked ) can a world of pure images possess in the spirit of man , without philosophical ...
An Anthology Melvin Miller Rader. the spurious image , and of enriching in this way the con- cept of the image and of art . What function ( it is asked ) can a world of pure images possess in the spirit of man , without philosophical ...
Pagina 169
... images were to find their common center unit of union in a comprehensive image : and the esthetic of the nineteenth ... images , presupposes the possession of particular images in the spirit ; and fancy produces , whereas imagination is ...
... images were to find their common center unit of union in a comprehensive image : and the esthetic of the nineteenth ... images , presupposes the possession of particular images in the spirit ; and fancy produces , whereas imagination is ...
Pagina 173
... image , or nexus of images ( for what is called image is always a nexus of images , since image - atoms do not exist any more than thought - atoms ) , which constitutes the organism , and , as organism , has its vital principle , which ...
... image , or nexus of images ( for what is called image is always a nexus of images , since image - atoms do not exist any more than thought - atoms ) , which constitutes the organism , and , as organism , has its vital principle , which ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words