A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 94
Pagina 74
In art and in play , to be sure , the imagination does not operate , as it does in the dream , within the inner world alone , but lays hold of perceptual objects to serve its ends . These objects are , however , given the same function ...
In art and in play , to be sure , the imagination does not operate , as it does in the dream , within the inner world alone , but lays hold of perceptual objects to serve its ends . These objects are , however , given the same function ...
Pagina 169
Old Poetic availed it- self above all of the concept of unity , in order to express this distinction between the intuition and imagining , insist- ing that whatever the artistic work , it should be simplex et unum ; or of the allied ...
Old Poetic availed it- self above all of the concept of unity , in order to express this distinction between the intuition and imagining , insist- ing that whatever the artistic work , it should be simplex et unum ; or of the allied ...
Pagina 194
lute fact all through , and it explains not merely the interpretation of lines and shapes , but the whole range and working of the esthetic imagination in the province of fine art , which is its special province .
lute fact all through , and it explains not merely the interpretation of lines and shapes , but the whole range and working of the esthetic imagination in the province of fine art , which is its special province .
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
Copyright | |
13 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word