A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina xi
... imitation to Value - expression . most significant artists and critics of this century , we may safely say , reject all theories of mere imitation . They rec- ognize , implicitly if not explicitly , that art expresses values and does ...
... imitation to Value - expression . most significant artists and critics of this century , we may safely say , reject all theories of mere imitation . They rec- ognize , implicitly if not explicitly , that art expresses values and does ...
Pagina 16
... imitation appears in a two - fold guise : first , as imitation of nature ; sec- ond , as imitation of others . We shall become better ac- quainted with the imitation of nature in the consideration of the games of illusion and we shall ...
... imitation appears in a two - fold guise : first , as imitation of nature ; sec- ond , as imitation of others . We shall become better ac- quainted with the imitation of nature in the consideration of the games of illusion and we shall ...
Pagina 297
... imitation is involun- tary . The more I am absorbed in the contemplation of the seen movement the more involuntary ... imitation . Nevertheless , in this state , the sense of striving and effort persists in my consciousness ; there ...
... imitation is involun- tary . The more I am absorbed in the contemplation of the seen movement the more involuntary ... imitation . Nevertheless , in this state , the sense of striving and effort persists in my consciousness ; there ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words