A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 104
... important as the activity of speech itself , and as generally diffused . . We are accustomed to understand art to be ... importance . There is one indubitable sign distinguishing real art from its counterfeit - namely , the ...
... important as the activity of speech itself , and as generally diffused . . We are accustomed to understand art to be ... importance . There is one indubitable sign distinguishing real art from its counterfeit - namely , the ...
Pagina 156
... important only because it stimulates imagination , and the object in nature is esthetically important for the same reason . We all remember Wordsworth's Peter Bell : A primrose by a river's brim A yellow primrose was to him , And it was ...
... important only because it stimulates imagination , and the object in nature is esthetically important for the same reason . We all remember Wordsworth's Peter Bell : A primrose by a river's brim A yellow primrose was to him , And it was ...
Pagina 244
... importance there . These elements always embody the theme in an emphatic way , and have a significance far greater than any of the other elements . Thus , in a portrait , the figure is more important than the background , and the face ...
... importance there . These elements always embody the theme in an emphatic way , and have a significance far greater than any of the other elements . Thus , in a portrait , the figure is more important than the background , and the face ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word