A Modern Book of Esthetics: An Anthology |
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Pagina 104
And therefore the activity of art is a most important one , as important as the activity of speech itself , and as generally diffused . . We are accustomed to understand art to be only what we hear and see in theaters , concerts , and ...
And therefore the activity of art is a most important one , as important as the activity of speech itself , and as generally diffused . . We are accustomed to understand art to be only what we hear and see in theaters , concerts , and ...
Pagina 156
The work of art is important only because it stimulates imagination , and the object in nature is esthetically important for the same reason . We all remember Wordsworth's Peter Bell : A primrose by a river's brim A yellow primrose was ...
The work of art is important only because it stimulates imagination , and the object in nature is esthetically important for the same reason . We all remember Wordsworth's Peter Bell : A primrose by a river's brim A yellow primrose was ...
Pagina 244
Sometimes , although not always , there is some one element , or there may be more , of a complex work of art which occupies a position of commanding importance there . These elements always embody the theme in an emphatic way ...
Sometimes , although not always , there is some one element , or there may be more , of a complex work of art which occupies a position of commanding importance there . These elements always embody the theme in an emphatic way ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word