A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 88
... impression , and of a more or less unconscious agreement between the character of the object and that of the artist . This impression and agree- ment he sets to work to embody in outward form ; it is the real aim of his work , and its ...
... impression , and of a more or less unconscious agreement between the character of the object and that of the artist . This impression and agree- ment he sets to work to embody in outward form ; it is the real aim of his work , and its ...
Pagina 125
... impression ; e.g. , Alison , James Mill , Burke , Guyau . There have been others without number who have thought that the intellectual forms of mental life arising as the result of the impression , were all important . Rationalism and ...
... impression ; e.g. , Alison , James Mill , Burke , Guyau . There have been others without number who have thought that the intellectual forms of mental life arising as the result of the impression , were all important . Rationalism and ...
Pagina 129
... impression can be cut away from the rest and held to be non - esthetic , then it is apparent that the distinction between non - esthetic pleasures and esthetic pleasures cannot arise by difference between pleas- ures in impression , but ...
... impression can be cut away from the rest and held to be non - esthetic , then it is apparent that the distinction between non - esthetic pleasures and esthetic pleasures cannot arise by difference between pleas- ures in impression , but ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words