A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 88
... impression , and of a more or less unconscious agreement between the character of the object and that of the artist . This impression and agree- ment he sets to work to embody in outward form ; it is the real aim of his work , and its ...
... impression , and of a more or less unconscious agreement between the character of the object and that of the artist . This impression and agree- ment he sets to work to embody in outward form ; it is the real aim of his work , and its ...
Pagina 129
... impression can be cut away from the rest and held to be non - esthetic , then it is apparent that the distinction between non - esthetic pleasures and esthetic pleasures cannot arise by difference between pleas- ures in impression , but ...
... impression can be cut away from the rest and held to be non - esthetic , then it is apparent that the distinction between non - esthetic pleasures and esthetic pleasures cannot arise by difference between pleas- ures in impression , but ...
Pagina 339
... impression of actual presence which is a far from pleas- ant , though fortunately only a passing , illusion . For deco- rative purposes , in pictorial renderings of vistas , garden - per- spectives and architectural extensions , the ...
... impression of actual presence which is a far from pleas- ant , though fortunately only a passing , illusion . For deco- rative purposes , in pictorial renderings of vistas , garden - per- spectives and architectural extensions , the ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
THEORIES OF PSYCHOLOGICAL DETACH | 69 |
EMOTIONALIST THEORIES | 81 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET character classicism CLIVE BELL color conception consciousness Croce definition Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic object estheticians existence experience expression fact feeling Giorgione give Herakles human I. A. RICHARDS ideal ideas illusion imagination imitation impression impulse individual inner intellectual intelligence intuition intuitive knowledge JACQUES MARITAIN judgment kind knowledge less lines living matter means ment merely mind moral movement nature organic Othello ourselves painter painting particular peculiar perception philosophers physical picture play pleasure poet poetry possess principle produce Psychology of Beauty pure form RAMON FERNANDEZ reality relations representation rhythm ROGER FRY romanticism sculpture sensation sense sensuous significant form soul spirit thematic variation THEODOR LIPPS theory things thought tion true truth unity VERNON LEE whole word