A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 378
... impulse to interfere , to connect the scene with ourselves , we have none . But this is a less important factor in the situation . That the house is dark , the audience silent , and all motor impulses outside of the esthetic circle ...
... impulse to interfere , to connect the scene with ourselves , we have none . But this is a less important factor in the situation . That the house is dark , the audience silent , and all motor impulses outside of the esthetic circle ...
Pagina 383
... impulses by which we seem to be impelled first one way and then another with too rapid an alternation or too weak a thrust for either impulse to take effect . This condition must be marked off as totally distinct from that which we ...
... impulses by which we seem to be impelled first one way and then another with too rapid an alternation or too weak a thrust for either impulse to take effect . This condition must be marked off as totally distinct from that which we ...
Pagina 404
... impulse to sing , in so far as the camera does away with the impulse to see , in so far as the automobile does away with the impulse to walk , the machine leads to a lapse of function which is but one step away from paralysis . But 404.
... impulse to sing , in so far as the camera does away with the impulse to see , in so far as the automobile does away with the impulse to walk , the machine leads to a lapse of function which is but one step away from paralysis . But 404.
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words