A Modern Book of Esthetics: An Anthology |
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Pagina 324
In short , Distance may be said to be variable both accord- ing to the distancing - power of the individual , and accord- ing to the character of the object . There are two ways of losing Distance : either to " under- distance " or to ...
In short , Distance may be said to be variable both accord- ing to the distancing - power of the individual , and accord- ing to the character of the object . There are two ways of losing Distance : either to " under- distance " or to ...
Pagina 371
Both science and art , knowledge and beauty , are independent of individual , personal desires and instincts and fancies . Both make a general claim ; they are not meant as individual decisions , they demand an overindividual value ...
Both science and art , knowledge and beauty , are independent of individual , personal desires and instincts and fancies . Both make a general claim ; they are not meant as individual decisions , they demand an overindividual value ...
Pagina 372
... the circle of those individuals which can take part in it with us , the greater are its esthetic possibilities . ... considered from the beginning - if science means over - individual connection and art over - individual isolation ...
... the circle of those individuals which can take part in it with us , the greater are its esthetic possibilities . ... considered from the beginning - if science means over - individual connection and art over - individual isolation ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word