A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 9
... individual participating , unless the passion of sport has quite overwhelmed his will- power , can quit at any time if it so suits his purpose . this respect play is differentiated from the purposeless ac- tivities of the maniac , the ...
... individual participating , unless the passion of sport has quite overwhelmed his will- power , can quit at any time if it so suits his purpose . this respect play is differentiated from the purposeless ac- tivities of the maniac , the ...
Pagina 324
... individual , and accord- ing to the character of the object . There are two ways of losing Distance : either to " under- distance " or to " over - distance . " " Under - distancing " is the commonest failing of the subject , an excess ...
... individual , and accord- ing to the character of the object . There are two ways of losing Distance : either to " under- distance " or to " over - distance . " " Under - distancing " is the commonest failing of the subject , an excess ...
Pagina 372
... individuals which can take part in it with us , the greater are its esthetic possibilities . The statue of snow ... individual isolation , one most important dif- ference of scientific and of artistic work must follow at once . The ...
... individuals which can take part in it with us , the greater are its esthetic possibilities . The statue of snow ... individual isolation , one most important dif- ference of scientific and of artistic work must follow at once . The ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words