A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 184
... inner fire of individual passions . The slow progress of mankind in the direction of an increasingly peaceful social life has gradually consolidated this layer , just as the life of our planet itself has been one long effort to cover ...
... inner fire of individual passions . The slow progress of mankind in the direction of an increasingly peaceful social life has gradually consolidated this layer , just as the life of our planet itself has been one long effort to cover ...
Pagina 309
... inner , i.e. , merely felt , mimicry of , for instance , the mountain's rising . Such mimicry , not only inner and felt , but outwardly manifold , does undoubtedly often result from very lively empathic imagination . But as it is the ...
... inner , i.e. , merely felt , mimicry of , for instance , the mountain's rising . Such mimicry , not only inner and felt , but outwardly manifold , does undoubtedly often result from very lively empathic imagination . But as it is the ...
Pagina 310
... inner experience which has shaped all our conceptions of an outer world, and given to the intermittent and heterogeneous sensations received from without the framework of our constant and highly unified inner experience, that is to say ...
... inner experience which has shaped all our conceptions of an outer world, and given to the intermittent and heterogeneous sensations received from without the framework of our constant and highly unified inner experience, that is to say ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word