A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
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Pagina 4
... instinctive play of animals . It develops gradually from mere satisfaction of instinctive impulse , through an intermediate stage in which the activity is regarded as serious or practical , to a final stage in which instinct and serious ...
... instinctive play of animals . It develops gradually from mere satisfaction of instinctive impulse , through an intermediate stage in which the activity is regarded as serious or practical , to a final stage in which instinct and serious ...
Pagina 4
... instinctive play of animals . It de- velops gradually from mere satisfaction of instinctive im- pulse , through an intermediate stage in which the activity is regarded as serious or practical , to a final stage in which instinct and ...
... instinctive play of animals . It de- velops gradually from mere satisfaction of instinctive im- pulse , through an intermediate stage in which the activity is regarded as serious or practical , to a final stage in which instinct and ...
Pagina 51
... in artistic pro- duction are referable to the central idea of play , and there- fore to an instinctive foundation . The following table will make this clear : PLAY Experimentation ( Joy in being able ) ( Pretense KARL GROOS 51.
... in artistic pro- duction are referable to the central idea of play , and there- fore to an instinctive foundation . The following table will make this clear : PLAY Experimentation ( Joy in being able ) ( Pretense KARL GROOS 51.
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words