A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 164
... intrinsic demerit , but also , in some meas- ure , owing to the moral demerit of certain tendencies of our times , which render possible , owing to psychological dislike , that refutation of it which should be made - and which we here ...
... intrinsic demerit , but also , in some meas- ure , owing to the moral demerit of certain tendencies of our times , which render possible , owing to psychological dislike , that refutation of it which should be made - and which we here ...
Pagina 331
... which does not at the same time allow for the intrinsic idealism of Art : for both are merely degrees in that wide range lying beyond the Distance - limit . To imitate nature so as to trick the spectator into EDWARD BULLOUGH 331.
... which does not at the same time allow for the intrinsic idealism of Art : for both are merely degrees in that wide range lying beyond the Distance - limit . To imitate nature so as to trick the spectator into EDWARD BULLOUGH 331.
Pagina 454
... intrinsic meaning is undeniable . They include much of our labors in home , factory , laboratory and study . By no stretch of language can they be termed either artistic or esthetic . Yet they exist , and are so coercive that they ...
... intrinsic meaning is undeniable . They include much of our labors in home , factory , laboratory and study . By no stretch of language can they be termed either artistic or esthetic . Yet they exist , and are so coercive that they ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
12 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words