A Modern Book of Esthetics: An Anthology |
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Pagina 78
of art, imagination does not remain a purely inner affair, but lays hold of the senses to serve its ends, and is given form, it acquires the objectivity and clarity characteristic of intuition. Emerging from the flux of impression and ...
of art, imagination does not remain a purely inner affair, but lays hold of the senses to serve its ends, and is given form, it acquires the objectivity and clarity characteristic of intuition. Emerging from the flux of impression and ...
Pagina 173
3 Artistic intuition , then , is always lyrical intuition : this latter being a word that is not present as an adjective or definition of the first , but as a synonym , another of the synonyms that can be united to the several that I ...
3 Artistic intuition , then , is always lyrical intuition : this latter being a word that is not present as an adjective or definition of the first , but as a synonym , another of the synonyms that can be united to the several that I ...
Pagina 174
art is perfectly defined when it is simply defined as intuition . -The Breviary of Esthetic ( 1913 ; translated 1915 ) II Identity of Intuition and Expression There is a sure method of distinguishing true intuition , true representation ...
art is perfectly defined when it is simply defined as intuition . -The Breviary of Esthetic ( 1913 ; translated 1915 ) II Identity of Intuition and Expression There is a sure method of distinguishing true intuition , true representation ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word