A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 155
... knowledge , according to Croce , has two forms : " It is either intuitive knowledge or logical knowledge ; knowledge ob- tained through the imagination or knowledge obtained through the intellect ; knowledge of the individual or knowledge ...
... knowledge , according to Croce , has two forms : " It is either intuitive knowledge or logical knowledge ; knowledge ob- tained through the imagination or knowledge obtained through the intellect ; knowledge of the individual or knowledge ...
Pagina 177
... Intuitive knowledge is expressive knowledge . In- dependent and autonomous in respect to intellectual func- tion ; indifferent to later empirical discriminations , to reality and to unreality , to formations and apperceptions of space ...
... Intuitive knowledge is expressive knowledge . In- dependent and autonomous in respect to intellectual func- tion ; indifferent to later empirical discriminations , to reality and to unreality , to formations and apperceptions of space ...
Pagina 209
... intuitive knowledge , and a joy . The beautiful is what gives joy , not all joy , but joy in knowledge ; not the joy peculiar to the act of knowing , but a joy superabounding and overflowing from such an act because of the object known ...
... intuitive knowledge , and a joy . The beautiful is what gives joy , not all joy , but joy in knowledge ; not the joy peculiar to the act of knowing , but a joy superabounding and overflowing from such an act because of the object known ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
THEORIES OF PSYCHOLOGICAL DETACH | 69 |
EMOTIONALIST THEORIES | 81 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET character classicism CLIVE BELL color conception consciousness Croce definition Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic object estheticians existence experience expression fact feeling Giorgione give Herakles human I. A. RICHARDS ideal ideas illusion imagination imitation impression impulse individual inner intellectual intelligence intuition intuitive knowledge JACQUES MARITAIN judgment kind knowledge less lines living matter means ment merely mind moral movement nature organic Othello ourselves painter painting particular peculiar perception philosophers physical picture play pleasure poet poetry possess principle produce Psychology of Beauty pure form RAMON FERNANDEZ reality relations representation rhythm ROGER FRY romanticism sculpture sensation sense sensuous significant form soul spirit thematic variation THEODOR LIPPS theory things thought tion true truth unity VERNON LEE whole word