A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 33
Pagina 368
... isolation ; for the subject , it means complete repose in the object , and that is complete satisfaction with the ... isolation ; more than that , isolation is beauty whether nature or the imagination of the artist offers it . We have ...
... isolation ; for the subject , it means complete repose in the object , and that is complete satisfaction with the ... isolation ; more than that , isolation is beauty whether nature or the imagination of the artist offers it . We have ...
Pagina 371
... isolation is art . In fancy , or in superstition , we might mentally connect any objects whatever in the world , but ... isolation of things . If we give our whole mind to an object which we isolate with the understanding that we do not ...
... isolation is art . In fancy , or in superstition , we might mentally connect any objects whatever in the world , but ... isolation of things . If we give our whole mind to an object which we isolate with the understanding that we do not ...
Pagina 372
... isolation , the perfect rendering of one object has in itself no relation to the rendering of other objects and every one can try the process of isolating again . While a scientific problem once solved is solved for all time , an ...
... isolation , the perfect rendering of one object has in itself no relation to the rendering of other objects and every one can try the process of isolating again . While a scientific problem once solved is solved for all time , an ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word