A Modern Book of Esthetics: An Anthology |
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Pagina 219
vantes , held above himself by nothing but the force of his thought judging a world it cannot replace , which it would enjoy even while denouncing - harmony of judgment and vision at one in a scrupulous conflict where neither betrays ...
vantes , held above himself by nothing but the force of his thought judging a world it cannot replace , which it would enjoy even while denouncing - harmony of judgment and vision at one in a scrupulous conflict where neither betrays ...
Pagina 221
is a classicist because the measure of his feelings and his humors is not given by themselves , but by a rational judgment . Montaigne is a classicist because the knowledge of himself that he has accumulated is not the same as the ...
is a classicist because the measure of his feelings and his humors is not given by themselves , but by a rational judgment . Montaigne is a classicist because the knowledge of himself that he has accumulated is not the same as the ...
Pagina 224
First , if the classic state is the rare and yet normal achievement of experience in all fields , however complex the experience , however bewildering for an unprepared judgment , then a romantic reaction means that new variations of ...
First , if the classic state is the rare and yet normal achievement of experience in all fields , however complex the experience , however bewildering for an unprepared judgment , then a romantic reaction means that new variations of ...
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Sommario
VOLUNTARISTIC THEORIES O | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole