A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 219
... judgment and vision at one in a scrupulous conflict where neither betrays the other nor itself . In these three extraordinary men we see classicism in its unforeseen and uncoördinated first promptings , we see judgment irresistibly ...
... judgment and vision at one in a scrupulous conflict where neither betrays the other nor itself . In these three extraordinary men we see classicism in its unforeseen and uncoördinated first promptings , we see judgment irresistibly ...
Pagina 221
... judgment . Montaigne is a classicist because the knowledge of himself that he has accumulated is not the same as the particular knowledge that each successive state of mind tries to impose on him . In each of these three men , the ...
... judgment . Montaigne is a classicist because the knowledge of himself that he has accumulated is not the same as the particular knowledge that each successive state of mind tries to impose on him . In each of these three men , the ...
Pagina 224
... judgment . A healthy and really alive classicism always , or almost always , presupposes a romantic movement . The ... judgment a road to madness . And then , since classicism varies with the nature and the conditions of judgment , and ...
... judgment . A healthy and really alive classicism always , or almost always , presupposes a romantic movement . The ... judgment a road to madness . And then , since classicism varies with the nature and the conditions of judgment , and ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word