A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina xxiv
... kind of objectivity . The implications of geometry are objectively necessary ; they are not just matters of preference . Very different are the illusions of art , according to Lange , for these are con- sciously devised so as to yield ...
... kind of objectivity . The implications of geometry are objectively necessary ; they are not just matters of preference . Very different are the illusions of art , according to Lange , for these are con- sciously devised so as to yield ...
Pagina 119
... kind of sublimity : " If we may call the liberation of the self by the consciousness of evil in the world , the Stoic sublime , we may assert that there is also an Epicurean sublime , which consists in liberation by equipoise . Any wide ...
... kind of sublimity : " If we may call the liberation of the self by the consciousness of evil in the world , the Stoic sublime , we may assert that there is also an Epicurean sublime , which consists in liberation by equipoise . Any wide ...
Pagina 213
... kind of truth , but a kind of good . The perception of the beautiful is related to knowledge , but by way of addition , " as its bloom is an addi- tion to youth " ; it is not so much a kind of knowledge as a kind of delight . The ...
... kind of truth , but a kind of good . The perception of the beautiful is related to knowledge , but by way of addition , " as its bloom is an addi- tion to youth " ; it is not so much a kind of knowledge as a kind of delight . The ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words