A Modern Book of Esthetics: An Anthology |
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Pagina 119
Santayana recognizes three kinds of beauty : the sensuous beauty of the physical stuff ; the formal beauty of the de- ... because pleas- 2 Santayana points out that there is another kind of sublimity : " If we may call the liberation of ...
Santayana recognizes three kinds of beauty : the sensuous beauty of the physical stuff ; the formal beauty of the de- ... because pleas- 2 Santayana points out that there is another kind of sublimity : " If we may call the liberation of ...
Pagina 213
The perception of the beautiful is related to knowledge , but by way of addition , " as its bloom is an addition to youth " ; it is not so much a kind of knowledge as a kind of delight . The beautiful is essentially delightful .
The perception of the beautiful is related to knowledge , but by way of addition , " as its bloom is an addition to youth " ; it is not so much a kind of knowledge as a kind of delight . The beautiful is essentially delightful .
Pagina 246
But all these emotions are recognizably the same in kind ; so far , at any rate , the best opinion is on my side . That there is a particular kind of emotion provoked by works of visual art , and that this emotion is provoked by every ...
But all these emotions are recognizably the same in kind ; so far , at any rate , the best opinion is on my side . That there is a particular kind of emotion provoked by works of visual art , and that this emotion is provoked by every ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word