A Modern Book of Esthetics: An Anthology |
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Pagina 155
Apart from sensation , which is relatively passive , these active phases are knowledge and practice . Art must be one or the other , or must combine both . But unlike economics and morals , it falls wholly outside of the sphere of ...
Apart from sensation , which is relatively passive , these active phases are knowledge and practice . Art must be one or the other , or must combine both . But unlike economics and morals , it falls wholly outside of the sphere of ...
Pagina 371
In fancy , or in superstition , we might mentally connect any objects whatever in the world , but that would not be knowledge ; and , on the other hand , we might , in a sensual enjoyment , give over our whole mind to anything which ...
In fancy , or in superstition , we might mentally connect any objects whatever in the world , but that would not be knowledge ; and , on the other hand , we might , in a sensual enjoyment , give over our whole mind to anything which ...
Pagina 376
with that which was before and with that which will follow , it becomes astronomical knowledge and the restful absorption of our mind is gone . This suppression of the thought of where the road is leading needs more careful preparation ...
with that which was before and with that which will follow , it becomes astronomical knowledge and the restful absorption of our mind is gone . This suppression of the thought of where the road is leading needs more careful preparation ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole