A Modern Book of Esthetics: An Anthology |
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Pagina 155
Apart from sensation , which is relatively passive , these active phases are knowledge and practice . Art must be one or the other , or must combine both . But unlike economics and morals , it falls wholly outside of the sphere of ...
Apart from sensation , which is relatively passive , these active phases are knowledge and practice . Art must be one or the other , or must combine both . But unlike economics and morals , it falls wholly outside of the sphere of ...
Pagina 371
In fancy , or in superstition , we might mentally connect any objects whatever in the world , but that would not be knowledge ; and , on the other hand , we might , in a sensual enjoyment , give over our whole mind to anything which ...
In fancy , or in superstition , we might mentally connect any objects whatever in the world , but that would not be knowledge ; and , on the other hand , we might , in a sensual enjoyment , give over our whole mind to anything which ...
Pagina 376
with that which was before and with that which will follow , it becomes astronomical knowledge and the restful absorption of our mind is gone . This suppression of the thought of where the road is leading needs more careful preparation ...
with that which was before and with that which will follow , it becomes astronomical knowledge and the restful absorption of our mind is gone . This suppression of the thought of where the road is leading needs more careful preparation ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word