A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 195
... language , exactly as sculpture and painting deal at once and in the same vision both with formal patterns and with significant shapes . That language is a physical fact with its own properties and qualities is easily seen by compar ...
... language , exactly as sculpture and painting deal at once and in the same vision both with formal patterns and with significant shapes . That language is a physical fact with its own properties and qualities is easily seen by compar ...
Pagina 197
... language in the sense of speech , and other modes of expression . Of course , if he had said that speech is not the only form of language , but that every art speaks to us in a language of its own , that would have had much to be said ...
... language in the sense of speech , and other modes of expression . Of course , if he had said that speech is not the only form of language , but that every art speaks to us in a language of its own , that would have had much to be said ...
Pagina 199
... language . Up to a certain point , language is poetry ready - made for us . And I suppose that a great painter , in his actual han- dling of his brush , has present with him a sense of meaning and fitness which is one with the joy of ...
... language . Up to a certain point , language is poetry ready - made for us . And I suppose that a great painter , in his actual han- dling of his brush , has present with him a sense of meaning and fitness which is one with the joy of ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words