A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 78
Pagina 88
... less predeterminate impression , and of a more or less unconscious agreement between the character of the object and that of the artist . This impression and agreement he sets to work to embody in outward form ; it is the real aim of ...
... less predeterminate impression , and of a more or less unconscious agreement between the character of the object and that of the artist . This impression and agreement he sets to work to embody in outward form ; it is the real aim of ...
Pagina 105
... less it fulfills it the worse the art . And the appraisement of feelings ( that is , the acknowledgment of one set of feelings or another as being more or less good , more or less necessary for the well - being of mankind ) is made by ...
... less it fulfills it the worse the art . And the appraisement of feelings ( that is , the acknowledgment of one set of feelings or another as being more or less good , more or less necessary for the well - being of mankind ) is made by ...
Pagina 213
... less successfully analyze in reflection the causes of such joy.1 So , although the beautiful is in close dependence upon what is metaphysically true , in the sense that every splendor of intelligibility in things presupposes some degree ...
... less successfully analyze in reflection the causes of such joy.1 So , although the beautiful is in close dependence upon what is metaphysically true , in the sense that every splendor of intelligibility in things presupposes some degree ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word