A Modern Book of Esthetics: An Anthology |
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Pagina 88
Now , choice of subject alone is enough to prove that , from the very beginning , some preference has existed , the result of a more or less predeterminate impression , and of a more or less unconscious agreement between the character ...
Now , choice of subject alone is enough to prove that , from the very beginning , some preference has existed , the result of a more or less predeterminate impression , and of a more or less unconscious agreement between the character ...
Pagina 105
And as the evolution of knowledge proceeds by truer and more necessary knowledge dislodging and replacing what is mistaken and unnecessary , so the evolution of feeling proceeds through art - feelings less kind and less needful for the ...
And as the evolution of knowledge proceeds by truer and more necessary knowledge dislodging and replacing what is mistaken and unnecessary , so the evolution of feeling proceeds through art - feelings less kind and less needful for the ...
Pagina 213
Only afterwards will it more or less successfully analyze in reflection the causes of such joy.18 So , although the beautiful is in close dependence upon what is metaphysically true , in the sense that every splendor of intelligibility ...
Only afterwards will it more or less successfully analyze in reflection the causes of such joy.18 So , although the beautiful is in close dependence upon what is metaphysically true , in the sense that every splendor of intelligibility ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole