A Modern Book of Esthetics: An Anthology |
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Pagina 88
Now , choice of subject alone is enough to prove that , from the very beginning , some preference has existed , the result of a more or less predeterminate impression , and of a more or less unconscious agreement between the character ...
Now , choice of subject alone is enough to prove that , from the very beginning , some preference has existed , the result of a more or less predeterminate impression , and of a more or less unconscious agreement between the character ...
Pagina 105
And as the evolution of knowledge proceeds by truer and more necessary knowledge dislodging and replacing what is mistaken and unnecessary , so the evolution of feeling proceeds through art - feelings less kind and less needful for the ...
And as the evolution of knowledge proceeds by truer and more necessary knowledge dislodging and replacing what is mistaken and unnecessary , so the evolution of feeling proceeds through art - feelings less kind and less needful for the ...
Pagina 213
Only afterwards will it more or less successfully analyze in reflection the causes of such joy.1 So , although the beautiful is in close dependence upon what is metaphysically true , in the sense that every splendor of intelligibility ...
Only afterwards will it more or less successfully analyze in reflection the causes of such joy.1 So , although the beautiful is in close dependence upon what is metaphysically true , in the sense that every splendor of intelligibility ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word