A Modern Book of Esthetics: An Anthology |
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Pagina 277
and can feel ( even though we cannot assign a reason for our impressions ) whenever a pattern or play of line contributes to the emotion with which we contemplate an instance of those arts . In fact , it is a plausible theory that one ...
and can feel ( even though we cannot assign a reason for our impressions ) whenever a pattern or play of line contributes to the emotion with which we contemplate an instance of those arts . In fact , it is a plausible theory that one ...
Pagina 279
A straight line looks stiff ; certain curves appeal to us as graceful ; wavy lines have a restless effect ... That is all that I mean by emotions derived from contemplating lines - very vague , rather undefinable impressions .
A straight line looks stiff ; certain curves appeal to us as graceful ; wavy lines have a restless effect ... That is all that I mean by emotions derived from contemplating lines - very vague , rather undefinable impressions .
Pagina 281
our eye in traveling over lines is indeed great swiftness when those lines , measurable in inches , appear to us as wide uplands stretching to remote hills . And when difficult progress over broken lines , around uncomfortable angles ...
our eye in traveling over lines is indeed great swiftness when those lines , measurable in inches , appear to us as wide uplands stretching to remote hills . And when difficult progress over broken lines , around uncomfortable angles ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole