A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 249
... lines ; in most oil paintings the spaces are multi - col- ored and so are the boundaries ; you cannot imagine a boundary line without any content , or a content without a boundary line . Therefore , when I speak of significant form , I ...
... lines ; in most oil paintings the spaces are multi - col- ored and so are the boundaries ; you cannot imagine a boundary line without any content , or a content without a boundary line . Therefore , when I speak of significant form , I ...
Pagina 279
... lines of varying curvature should yield any profound emotional state . My theorem is quite simple and rather banal . A straight line looks stiff ; certain curves appeal to us as grace- ful ; wavy lines have a restless effect ; and more ...
... lines of varying curvature should yield any profound emotional state . My theorem is quite simple and rather banal . A straight line looks stiff ; certain curves appeal to us as grace- ful ; wavy lines have a restless effect ; and more ...
Pagina 280
... line may per- form - that of suggesting motion . The eye has a tendency to follow lines and to travel with greater or less ease ac- cording to the kind of line . It would be childish to claim that any very extensive spiritual experience ...
... line may per- form - that of suggesting motion . The eye has a tendency to follow lines and to travel with greater or less ease ac- cording to the kind of line . It would be childish to claim that any very extensive spiritual experience ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
10 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words