A Modern Book of Esthetics: An Anthology |
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Pagina 277
and can feel ( even though we cannot assign a reason for our impressions ) whenever a pattern or play of line con- tributes to the emotion with which we contemplate an instance of those arts . In fact , it is a plausible theory that one ...
and can feel ( even though we cannot assign a reason for our impressions ) whenever a pattern or play of line con- tributes to the emotion with which we contemplate an instance of those arts . In fact , it is a plausible theory that one ...
Pagina 279
A straight line looks stiff ; certain curves appeal to us as grace- ful ; wavy lines have a restless effect ... That is all that I mean by emotions derived from contemplating lines - very vague , rather undefinable impressions .
A straight line looks stiff ; certain curves appeal to us as grace- ful ; wavy lines have a restless effect ... That is all that I mean by emotions derived from contemplating lines - very vague , rather undefinable impressions .
Pagina 281
our eye in traveling over lines is indeed great swiftness when those lines , measurable in inches , appear to us as wide uplands stretching to remote hills . And when diffi- cult progress over broken lines , around uncomfortable angles ...
our eye in traveling over lines is indeed great swiftness when those lines , measurable in inches , appear to us as wide uplands stretching to remote hills . And when diffi- cult progress over broken lines , around uncomfortable angles ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word