A Modern Book of Esthetics: An Anthology |
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Pagina 277
and can feel ( even though we cannot assign a reason for our impressions )
whenever a pattern or play of line contributes to the emotion with which we
contemplate an instance of those arts . In fact , it is a plausible theory that one
essential ...
and can feel ( even though we cannot assign a reason for our impressions )
whenever a pattern or play of line contributes to the emotion with which we
contemplate an instance of those arts . In fact , it is a plausible theory that one
essential ...
Pagina 279
A straight line looks stiff ; certain curves appeal to us as graceful ; wavy lines
have a restless effect ; and more complex lines ... That is all that I mean by
emotions derived from contemplating lines - very vague , rather undefinable
impressions .
A straight line looks stiff ; certain curves appeal to us as graceful ; wavy lines
have a restless effect ; and more complex lines ... That is all that I mean by
emotions derived from contemplating lines - very vague , rather undefinable
impressions .
Pagina 281
our eye in traveling over lines is indeed great swiftness when those lines ,
measurable in inches , appear to us as wide uplands stretching to remote hills .
And when difficult progress over broken lines , around uncomfortable angles ,
and ...
our eye in traveling over lines is indeed great swiftness when those lines ,
measurable in inches , appear to us as wide uplands stretching to remote hills .
And when difficult progress over broken lines , around uncomfortable angles ,
and ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature necessary never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole