A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina xxvi
... look to art to express the values of science , just as , conversely , we must look to such sciences as esthetics and archeology to record the facts of art . The substance of art , then , is value , not fact , law , or 12 The Theory of ...
... look to art to express the values of science , just as , conversely , we must look to such sciences as esthetics and archeology to record the facts of art . The substance of art , then , is value , not fact , law , or 12 The Theory of ...
Pagina 279
... looks stiff ; certain curves appeal to us as grace- ful ; wavy lines have a restless effect ; and more complex lines ... look at one line and another , however slight and however trivial we judge this difference to be - then I have estab ...
... looks stiff ; certain curves appeal to us as grace- ful ; wavy lines have a restless effect ; and more complex lines ... look at one line and another , however slight and however trivial we judge this difference to be - then I have estab ...
Pagina 437
... look for them : the freedom left the well - to - do free enough if they cared to use their freedom ; but these were few at the best : to the most of men the light showed them that they need look for hope no more , and the freedom left ...
... look for them : the freedom left the well - to - do free enough if they cared to use their freedom ; but these were few at the best : to the most of men the light showed them that they need look for hope no more , and the freedom left ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
Copyright | |
13 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word