A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
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Pagina xxvi
... look to art to express the values of science , just as , conversely , we must look to such sciences as esthetics and archeology to record the facts of art . The substance of art , then , is value , not fact , law , or 12 The Theory of ...
... look to art to express the values of science , just as , conversely , we must look to such sciences as esthetics and archeology to record the facts of art . The substance of art , then , is value , not fact , law , or 12 The Theory of ...
Pagina 305
... looks as if it were rising . The mountain looks ! Surely here is a case of putting the cart before the horse . No ; we cannot explain the mountain rising by ... look at the mountain we somehow or other think of the action of rising . Is 305.
... looks as if it were rising . The mountain looks ! Surely here is a case of putting the cart before the horse . No ; we cannot explain the mountain rising by ... look at the mountain we somehow or other think of the action of rising . Is 305.
Pagina 437
... look for them : the freedom left the well - to - do free enough if they cared to use their freedom ; but these were few at the best : to the most of men the light showed them that they need look for hope no more , and the freedom left ...
... look for them : the freedom left the well - to - do free enough if they cared to use their freedom ; but these were few at the best : to the most of men the light showed them that they need look for hope no more , and the freedom left ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words