A Modern Book of Esthetics: An Anthology |
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Pagina xxvi
Thus we must look to art to express the values of science , just as , conversely , we must look to such sciences as esthetics and archeology to record the facts of art . The substance of art , then , is value , not fact , law , or 12 ...
Thus we must look to art to express the values of science , just as , conversely , we must look to such sciences as esthetics and archeology to record the facts of art . The substance of art , then , is value , not fact , law , or 12 ...
Pagina 279
A straight line looks stiff ; certain curves appeal to us as grace- ful ; wavy lines have a restless effect ; and more ... but that we differ when we look at one line and another , however slight and however trivial we judge this ...
A straight line looks stiff ; certain curves appeal to us as grace- ful ; wavy lines have a restless effect ; and more ... but that we differ when we look at one line and another , however slight and however trivial we judge this ...
Pagina 437
We gave up Art for what we thought was light and freedom , but it was less than light and freedom which we bought : the light showed many things to those of the well - to - do who cared to look for them : the freedom left the well - to ...
We gave up Art for what we thought was light and freedom , but it was less than light and freedom which we bought : the light showed many things to those of the well - to - do who cared to look for them : the freedom left the well - to ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word