A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 404
An Anthology Melvin Miller Rader. LEWIS MUMFORD THE ESTHETIC ASSIMILATION OF THE MACHINE In the arts , it is plain that the machine is an instru- ment with manifold and conflicting possibilities . It may be used to counterfeit older ...
An Anthology Melvin Miller Rader. LEWIS MUMFORD THE ESTHETIC ASSIMILATION OF THE MACHINE In the arts , it is plain that the machine is an instru- ment with manifold and conflicting possibilities . It may be used to counterfeit older ...
Pagina 409
... machine itself was as much an instrument of art , in the hands of an artist , as were the simple tools and utensils . To erect a social bar- rier between machines and tools was really to accept the false notion of the new industrialist ...
... machine itself was as much an instrument of art , in the hands of an artist , as were the simple tools and utensils . To erect a social bar- rier between machines and tools was really to accept the false notion of the new industrialist ...
Pagina 419
... machine - made objects have been , for the most part , attempts to pervert the machine process in the inter- • ests of caste and pecuniary distinction . In money - ridden societies , where men play with poker chips instead of with ...
... machine - made objects have been , for the most part , attempts to pervert the machine process in the inter- • ests of caste and pecuniary distinction . In money - ridden societies , where men play with poker chips instead of with ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words